Bellamy, 60, is a legend in the glass jewelry industry. She is low-key, but her work has been reported successively in many academic journals such as “The Flow” and “Bead Review”, and has also been included in the book “1000 Beads” written by artist Kristina Logan called the Glass Jewelry Bible.

Bellamy grew up in a family with a strong artistic atmosphere. Her sister is an outstanding painter and sculptor. And her father, according to Bellamy’s description, could draw him from head to toe with just a few words to others. However, Bellamy did not immediately devote himself to art as an adult, but became a public official of the government. At that time, apart from work, she was painting, especially oil painting, which became her way of release.

By chance, Bellamy participated in a light worker experience class. At the moment the glass melted, she had already decided on her ideal for the rest of her life. Three weeks later, a brand new studio was erected on the ground in his backyard. To be precise, it was her husband David who spent three weeks building a brand new studio for her.

Bellamy’s heart seemed to be stationed in the dark little witch. Her works are always surging with vitality.
Her works are always full of unpredictable colors and textures, beautiful and fantastic, just like breathing creatures. The abstract and unique style always grabs the viewer’s attention in an instant, without seeing the concrete and The combination of conventional abstract lines, strong colors, and impenetrable materials is like a powerful whirlwind, and the waves are surging in an instant.